Oltre il sangue amaro (Beyond the bitter blood)
MO.CA. (Museum for new Culture) Brescia
Curated with Giorgia Massari


To make bitter blood. Smouldering bitter blood. Being irritated, embittered. Don't forget, don’t forgive. "Sangue amaro" (“bitter blood”) refers first of all to a dimension of resentment, of coexistence with reminiscences of events with which it is difficult to reconcile, projected into sensitive reactions. This bitterness that circulates in our blood reaffirms the existence of a feeling so strong that it is able to permeate the whole individual. Among the locutions that refer to red lymph, in this case there is an allusion to the "transfer of bile", a stimulus to the production of bile salts, caused by an excess of anger, capable of transfusing the bitter taste into the blood. In fact the somatization, that is a sensitive reaction to a psychological state, forces real consequences on the body. The exhibition "Oltre il sangue amaro" comes to life with the intention of setting up a discourse that deals with the diversification of pain and its psychosomatic reactions, revealing the forms that can acquire within a different personal path of growth and suffering. The prefix “Oltre” (beyond) explains the need to not limit the analysis to a single reading of pain but to expand it to aesthetics arising from diverse emotional experiences. Moreover this project takes inspiration from the collection of daily stories by the Italian poet Valerio Magrelli, entitled, precisely, “Sangue Amaro” (“Bitter Blood")

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Installation view Matteo Bianchini e Luca Brama
Detail “Ascensione del dominio” Nera Branca
Installation view Ivana Sfredda, Carla Giaccio e Ludovica Anversa
Detail “New bones from the scoria: inner world” Camilla Dalmazio
Installation view Leilei Wu e Camilla Dalmazio
Installation view “Cradle for heavy souls” Lucrezia Costa
Detail “Il figlio del serpende” Luca Assi
Installation view “Se mi parli degli angeli (II)” Ludovica Anversa
Detail “Tempus vincit omnia” Pierluigi Scandiuzzi
Installation view “True stories are sad” Luca Brama
Installation view Ivana Sfredda
Frame “Overwrite” Michele Bazzoli
Detail “New bones from the scoria” Camilla Dalmazio
Frame “Escaping dawn” Lucrezia Costa

Photo credits © Erik Falchetti